Monthly Archives: May 2023

Bubbles of bliss

Moving through the ‘House of the Dead’, I cannot help but returning to ‘Notes From the Underground’, and the phrase bubbles of bliss. I listened to a lecture by Jordan Peterson on Dostoevsky’s ramblings of a sick man and felt the following paragraph deserves serious attention. Overall, within its serious penetrating, the humor of the novel is inescapable, marvelous and engaging. I am convinced it can only be efficiently read with a readiness to laugh. For myself, I found this time through amusement when I realized the narrator who I took so serious as a younger man was in truth a problem in the story. I was attached to the nativity that I myself was infallible–my perspective unique due to sincerity. A man I took overly serious as a young man was in truth an idiot–not an idiot in the sense of Prince Myshkin, yet an idiot in the sense of an overly-sensitive, while insensitive, self-indulgent paranoid bothersome delusional man–chuckling with the recognition.

Yes, but here I come to a stop! Gentlemen, you must excuse me for being over-philosophical; it’s the result of forty years underground! Allow me to indulge my fancy. You see, gentlemen, reason is an excellent thing, there’s no disputing that, but reason is nothing but reason and satisfies only the rational side of man’s nature, while will is a manifestation of the whole life, that is, of the whole human life including reason and all the impulses. And although our life, in this manifestation of it, is often worthless, yet it is life and not simply extracting square roots. Here I, for instance, quite naturally want to live, in order to satisfy all my capacities for life, and not simply my capacity for reasoning, that is, not simply one twentieth of my capacity for life. What does reason know? Reason only knows what it has succeeded in learning (some things, perhaps, it will never learn; this is a poor comfort, but why not say so frankly?) and human nature acts as a whole, with everything that is in it, consciously or unconsciously, and, even if it goes wrong, it lives. I suspect, gentlemen, that you are looking at me with compassion; you tell me again that an enlightened and developed man, such, in short, as the future man will be, cannot consciously desire anything disadvantageous to himself, that that can be proved mathematically. I thoroughly agree, it can—by mathematics. But I repeat for the hundredth time, there is one case, one only, when man may consciously, purposely, desire what is injurious to himself, what is stupid, very stupid—simply in order to have the right to desire for himself even what is very stupid and not to be bound by an obligation to desire only what is sensible. Of course, this very stupid thing, this caprice of ours, may be in reality, gentlemen, more advantageous for us than anything else on earth, especially in certain cases. And in particular it may be more advantageous than any advantage even when it does us obvious harm, and contradicts the soundest conclusions of our reason concerning our advantage—for in any circumstances it preserves for us what is most precious and most important—that is, our personality, our individuality. Some, you see, maintain that this really is the most precious thing for mankind; choice can, of course, if it chooses, be in agreement with reason; and especially if this be not abused but kept within bounds. It is profitable and sometimes even praiseworthy. But very often, and even most often, choice is utterly and stubbornly opposed to reason … and … and … do you know that that, too, is profitable, sometimes even praiseworthy? Gentlemen, let us suppose that man is not stupid. (Indeed one cannot refuse to suppose that, if only from the one consideration, that, if man is stupid, then who is wise?) But if he is not stupid, he is monstrously ungrateful! Phenomenally ungrateful. In fact, I believe that the best definition of man is the ungrateful biped. But that is not all, that is not his worst defect; his worst defect is his perpetual moral obliquity, perpetual—from the days of the Flood to the Schleswig-Holstein period. Moral obliquity and consequently lack of good sense; for it has long been accepted that lack of good sense is due to no other cause than moral obliquity. Put it to the test and cast your eyes upon the history of mankind. What will you see? Is it a grand spectacle? Grand, if you like. Take the Colossus of Rhodes, for instance, that’s worth something. With good reason Mr. Anaevsky testifies of it that some say that it is the work of man’s hands, while others maintain that it has been created by nature herself. Is it many-coloured? May be it is many-coloured, too: if one takes the dress uniforms, military and civilian, of all peoples in all ages—that alone is worth something, and if you take the undress uniforms you will never get to the end of it; no historian would be equal to the job. Is it monotonous? May be it’s monotonous too: it’s fighting and fighting; they are fighting now, they fought first and they fought last—you will admit, that it is almost too monotonous. In short, one may say anything about the history of the world—anything that might enter the most disordered imagination. The only thing one can’t say is that it’s rational. The very word sticks in one’s throat. And, indeed, this is the odd thing that is continually happening: there are continually turning up in life moral and rational persons, sages and lovers of humanity who make it their object to live all their lives as morally and rationally as possible, to be, so to speak, a light to their neighbours simply in order to show them that it is possible to live morally and rationally in this world. And yet we all know that those very people sooner or later have been false to themselves, playing some queer trick, often a most unseemly one. Now I ask you: what can be expected of man since he is a being endowed with strange qualities? Shower upon him every earthly blessing, drown him in a sea of happiness, so that nothing but bubbles of bliss can be seen on the surface; give him economic prosperity, such that he should have nothing else to do but sleep, eat cakes and busy himself with the continuation of his species, and even then out of sheer ingratitude, sheer spite, man would play you some nasty trick. He would even risk his cakes and would deliberately desire the most fatal rubbish, the most uneconomical absurdity, simply to introduce into all this positive good sense his fatal fantastic element. It is just his fantastic dreams, his vulgar folly that he will desire to retain, simply in order to prove to himself—as though that were so necessary—that men still are men and not the keys of a piano, which the laws of nature threaten to control so completely that soon one will be able to desire nothing but by the calendar. And that is not all: even if man really were nothing but a piano-key, even if this were proved to him by natural science and mathematics, even then he would not become reasonable, but would purposely do something perverse out of simple ingratitude, simply to gain his point. And if he does not find means he will contrive destruction and chaos, will contrive sufferings of all sorts, only to gain his point! He will launch a curse upon the world, and as only man can curse (it is his privilege, the primary distinction between him and other animals), may be by his curse alone he will attain his object—that is, convince himself that he is a man and not a piano-key! If you say that all this, too, can be calculated and tabulated—chaos and darkness and curses, so that the mere possibility of calculating it all beforehand would stop it all, and reason would reassert itself, then man would purposely go mad in order to be rid of reason and gain his point! I believe in it, I answer for it, for the whole work of man really seems to consist in nothing but proving to himself every minute that he is a man and not a piano-key! It may be at the cost of his skin, it may be by cannibalism! And this being so, can one help being tempted to rejoice that it has not yet come off, and that desire still depends on something we don’t know?

spacer

Driving through Irish Hills, Michigan discovering a St Joseph Shrine from the mid-1800s

Text from the first placard difficult to decipher: THE MAIN BODY OF THIS SHRINE WAS BUILT IN 1854 BY EARLY IRISH SETTLERS

I have also added a new page, an hour photo shoot at the Rosary Cathedral in Toledo, Ohio. It took all my travels and struggles in order to realize the magnificence of the first Cathedral I knew. I am unhappy with my photo displays, the pages on the main screen menu. I am working to improve the quality of the overall and individual presentations. I think my travels are worth revealing.

spacer

Retracing steps, advancing with Fyodor Dostoevsky

As a confused young man entering adulthood, I recall reading these paragraphs from chapter two of the House of the Dead and being mesmerized. They appeared perfect, something inspired, superior to anything else I had ever read. I am not quite sure why.

Our prison was at the end of the citadel behind the ramparts. Looking through the crevices between the palisade in the hope of seeing something, one sees nothing but a little corner of the sky, and a high earthwork, covered with the long grass of the steppe. Night and day sentries walk to and fro upon it. Then one perceives from the first, that whole years will pass during which one will see by the same crevices between the palisades, upon the same earthwork, always the same sentinels and the same little corner of the sky, not just above the prison, but far and far away. Represent to yourself a court-yard, two hundred feet long, and one hundred and fifty feet broad, enclosed by an irregular hexagonal palisade, formed of stakes thrust deep into the earth. So much for the external surroundings of the prison. On one side of the palisade is a great gate, solid, and always shut; watched perpetually by the sentinels, and never opened, except when the convicts go out to work. Beyond this, there are light and liberty, the life of free people! Beyond the palisade, one thought of the marvellous world, fantastic as a fairy tale. It was not the same on our side. Here, there was no resemblance to anything. Habits, customs, laws, were all precisely fixed. It was the house of living death. It is this corner that I undertake to describe.

On penetrating into the enclosure one sees a few buildings. On each side of a vast court are stretched forth two wooden constructions, made of trunks of trees, and only one storey high. These are convicts’ barracks. Here the prisoners are confined, divided into several classes. At the end of the enclosure may be seen a house, which serves as a kitchen, divided into two compartments. Behind it is another building, which serves at once as cellar, loft, and barn. The centre of the enclosure, completely barren, is a large open space. Here the prisoners are drawn up in ranks, three times a day. They are identified, and must answer to their names, morning, noon, and evening, besides several times in the course of the day if the soldiers on guard are suspicious and clever at counting. All around, between the palisades and the buildings there remains a sufficiently large space, where some of the prisoners who are misanthropes, or of a sombre turn of mind, like to walk about when they are not at work. There they go turning over their favourite thoughts, shielded from all observation.

spacer

Inspired Beauty

‘Ah,’ he (Durtal) cried, ‘the true proof of Catholicism is its art.’ And that art was a unity, a marvellous blend of music, architecture, sculpture, painting, all held together in one unique cluster of thoughts, all serving the same end. Plainchant itself was a kind of architecture now curving in upon itself like sombre Romanesque arches, now mounting skyward in the soaring lines of the Gothic, breaking into flowery tendrils and tracery as fine as lace. What music could compare with the tenderness of the ‘De Profundis’ chanted in unison, the solemnity of the ‘Magnificat’, the warmth and splendour of the ‘Laude Sion’, the enthusiasm of the ‘Salve Regina’, the sorrow of the ‘Miserere’ and the ‘Stabat Mater’, the majestic omnipotence of the ‘Te Deum’?

‘The First Decadant: J.K. Huysmans’ the biography detailing the novel ‘En Route’ written by James Laver

spacer

The gift of music

A local Cleveland musical director at St Jon Bosco parish, a wonderful family man performing and living on a higher level.

spacer

A revealing of tenderness

“Sometimes I allow the world to show them what it is, so that, feeling its diverse and various passions, they may know how little stability it has, and may come to lift their desire beyond it, and seek their native country, which is the Eternal Life. And so I draw them by these, and by many other ways, for the eye cannot see, nor the tongue relate, nor the heart think, how many are the roads and ways which I use, through love alone, to lead them back to grace, so that My truth may be fulfilled in them. I am constrained to do so by that inestimable love of Mine, by which I created them, and by the love, desire, and grief of My servants, since I am no despiser of their tears, and sweat, and humble prayers; rather I accept them, inasmuch as I am He who gives them this love for the good of souls and grief for their loss.

The Dialogue of St Catherine of Siena

spacer
spacer