a poem by Matthew Arnold

Years hence, perhaps, may dawn an age,
More fortunate, alas! than we,
Which without hardness will be sage,
And gay without frivolity.
Sons of the world, oh, speed those years;
But, while we wait, allow our tears!

Allow them! We admire with awe
The exulting thunder of your race;
You give the universe your law,
You triumph over time and space!
Your pride of life, your tireless powers,
We laud them, but they are not ours.

We are like children rear’d in shade
Beneath some old-world abbey wall,
Forgotten in a forest-glade,
And secret from the eyes of all.
Deep, deep the greenwood round them waves,
Their abbey, and its close of graves!

But, where the road runs near the stream,
Oft through the trees they catch a glance
Of passing troops in the sun’s beam—
Pennon, and plume, and flashing lance!
Forth to the world those soldiers fare,
To life, to cities, and to war!

And through the wood, another way,
Faint bugle-notes from far are borne,
Where hunters gather, staghounds bay,
Round some fair forest-lodge at morn.
Gay dames are there, in sylvan green;
Laughter and cries—those notes between!

The banners flashing through the trees
Make their blood dance and chain their eyes;
That bugle-music on the breeze
Arrests them with a charm’d surprise.
Banner by turns and bugle woo:
Ye shy recluses, follow too!

O children, what do ye reply?—
“Action and pleasure, will ye roam
Through these secluded dells to cry
And call us?—but too late ye come!
Too late for us your call ye blow,
Whose bent was taken long ago.

“Long since we pace this shadow’d nave;
We watch those yellow tapers shine,
Emblems of hope over the grave,
In the high altar’s depth divine;
The organ carries to our ear
Its accents of another sphere.

“Fenced early in this cloistral round
Of reverie, of shade, of prayer,
How should we grow in other ground?
How can we flower in foreign air?
—Pass, banners, pass, and bugles, cease;
And leave our desert to its peace!”

by Matthew Arnold

For rigorous teachers seized my youth,
And purged its faith, and trimm’d its fire,
Show’d me the high, white star of Truth,
There bade me gaze, and there aspire.
Even now their whispers pierce the gloom:
What dost thou in this living tomb?

Forgive me, masters of the mind!
At whose behest I long ago
So much unlearnt, so much resign’d—
I come not here to be your foe!
I seek these anchorites, not in ruth,
To curse and to deny your truth;

Not as their friend, or child, I speak!
But as, on some far northern strand,
Thinking of his own Gods, a Greek
In pity and mournful awe might stand
Before some fallen Runic stone—
For both were faiths, and both are gone.

Wandering between two worlds, one dead,
The other powerless to be born,
With nowhere yet to rest my head,
Like these, on earth I wait forlorn.
Their faith, my tears, the world deride—
I come to shed them at their side.

Oh, hide me in your gloom profound,
Ye solemn seats of holy pain!
Take me, cowl’d forms, and fence me round,
Till I possess my soul again;
Till free my thoughts before me roll,
Not chafed by hourly false control!

For the world cries your faith is now
But a dead time’s exploded dream;
My melancholy, sciolists say,
Is a pass’d mode, an outworn theme—
As if the world had ever had
A faith, or sciolists been sad!

Ah, if it be pass’d, take away,
At least, the restlessness, the pain;
Be man henceforth no more a prey
To these out-dated stings again!
The nobleness of grief is gone
Ah, leave us not the fret alone!

But—if you cannot give us ease—
Last of the race of them who grieve
Here leave us to die out with these
Last of the people who believe!
Silent, while years engrave the brow;
Silent—the best are silent now.

Achilles ponders in his tent,
The kings of modern thought are dumb,
Silent they are though not content,
And wait to see the future come.
They have the grief men had of yore,
But they contend and cry no more.

Our fathers water’d with their tears
This sea of time whereon we sail,
Their voices were in all men’s ears
We pass’d within their puissant hail.
Still the same ocean round us raves,
But we stand mute, and watch the waves.

For what avail’d it, all the noise
And outcry of the former men?—
Say, have their sons achieved more joys,
Say, is life lighter now than then?
The sufferers died, they left their pain—
The pangs which tortured them remain.

What helps it now, that Byron bore,
With haughty scorn which mock’d the smart,
Through Europe to the Ætolian shore
The pageant of his bleeding heart?
That thousands counted every groan,
And Europe made his woe her own?

What boots it, Shelley! that the breeze
Carried thy lovely wail away,
Musical through Italian trees
Which fringe thy soft blue Spezzian bay?
Inheritors of thy distress
Have restless hearts one throb the less?

Or are we easier, to have read,
O Obermann! the sad, stern page,
Which tells us how thou hidd’st thy head
From the fierce tempest of thine age
In the lone brakes of Fontainebleau,
Or chalets near the Alpine snow?

Ye slumber in your silent grave!—
The world, which for an idle day
Grace to your mood of sadness gave,
Long since hath flung her weeds away.
The eternal trifler breaks your spell;
But we—we learned your lore too well!

…..to be continued

 

Stanzas From The Grand Chartreuse
a poem by Matthew Arnold

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A silver lining the underside of a shadow, a cloak,
Darkness pretending while penetrating, violet lashings,
Sending out waves in a softening, putting to sleep,
The beauty laden orchestra practices precision,
Two harps sounding, twenty violins bowing, eight cellos pacing,
Tens, hundreds, and thousands of moments passing,
Until now the weakness harbored savage repercussions,
Pouring rain, thunder and lightning, the gloom of a cloudy evening hiding the moon and stars,
The difference between being alone and loneliness, solitude and isolation,
Unseen footsteps traced upon the scattered remnants of a multitude of lives,
Wearied without worry, destiny appears claimed, a mountain range looms,
Skipping over dejection, detached from desolation, attention accentuates perception, confidence carries,
So close yet far away, the peace of Christ, the wedding of bliss, nothing amiss,
For now warfare wages upon subtler terms, fortitude silent and still, inner and personal the struggle lingers.

If the house is all still,
Why the agitation at the slightest noise?
If there is no longer anything to protect,
Why is everything constantly being protected?
If there is detachment,
Why all the attachment?
In the aftermath of a hurricane,
The humility of a hospital bed calms to a rebirth,
Greater the effort of laying quiet and defeated,
Something whispers amidst the conditions,
A kiss of love and mercy,
A Mother never parting,
Two saints standing,
An earthly father residing in heaven,
And one on a mission of the impossible,
All the while chanting,
Lord Jesus Christ, Son of God,
Have mercy upon me a sinner.