J.K. Huysmans

End of the first book in a trilogy, the world awaits a life of faith

And in fact, Durtal had only time to shake hands with the father, who put his luggage into the carriage.

There, when he was alone, seated, looking at the monk as he departed, he felt his heart swell, ready to break.

And in the clatter of the rails the train started.

Sharply, clearly, in a minute, Durtal took stock of the frightful disorder into which he had thrown the monastery.

“Ah! and outside it, all is the same to me, and nothing matters to me,” he cried. And he groaned, knowing that he should never more succeed in interesting himself in all that makes the joy of men. The uselessness of caring about any other thing than Mysticism and the liturgy, of thinking about aught else save God, implanted itself in him so firmly that he asked himself what would become of him at Paris with such ideas.

He saw himself submitting to the confusion of controversies, the cowardice of conventionality, the vanity of declarations, the inanity of proofs. He saw himself bruised and thrust aside by the reflections of everybody, obliged henceforward to advance or retire, dispute or hold his tongue?

In any case peace was forever lost. How in fact was he to rally and recover when he was obliged to dwell in a place of passage, in a
soul open to all winds, visited by a crowd of public thoughts?

His contempt for relations, his disgust for acquaintances grew on him. “No, everything rather than mix myself again with society,” he declared to himself, and then he was silent in despair, for he was not ignorant that he could not, apart from the monastic zone, live in isolation. After a short time would come weariness and a void, therefore why had he reserved nothing for himself, why had he trusted all to the cloister? He had not even known how to arrange the pleasure of entering into himself, he had discovered how to lose the amusement of bric-à-brac, how to extirpate
that last satisfaction in the white nakedness of a cell! he no longer held to anything, but lay dismantled, saying, “I have renounced almost all the happiness which might fall to me, and what am I going to put in its place?”
And terrified, he perceived the disquiet of a conscience ready to torment itself, the permanent reproaches of an acquired luke-warmness, the apprehensions of doubts against Faith, fear of furious clamors of the senses stirred by chance meetings.

And he repeated to himself that the most difficult thing would not be to master the emotions of his flesh, but indeed to live Christianly, to confess, to communicate at Paris, in a church. He never could get so far as that, and he imagined discussions with the Abbé Gévresin, his gaining time, his refusal, foreseeing that their friendship would come to an end in these disputes.

Then where should he fly? At the very recollection of the Trappist monastery the theatrical representations of St. Sulpice made him jump. St. Severin seemed to him distracted and worn. How could he live among stupid people like the devout, how listen without gnashing his teeth to the affected chants of the choirs? How, lastly, could he seek again in the chapel of the Benedictine nuns, and even at Notre Dame des Victoires, that dull heat radiating from the souls of the monks, and thawing little by little the ice of his poor being?

And then it was not even that. What was truly crushing, truly dreadful, was to think that doubtless he would never again feel that admirable joy which lifts you from the ground, carries you, you know not where, nor how, above sense.

Ah, those paths at the monastery wandered in at daybreak, those paths where one day after a communion, God had dilated his soul in such a fashion that it seemed no longer his own, so much had Christ plunged him in the sea of His divine infinity, swallowed him in the heavenly
firmament of His person.

How renew that state of grace without communion and outside a cloister? “No; it is all over,” he concluded.

And he was seized with such an access of sadness, such an outburst of despair, that he thought of getting out at the first station, and returning to the monastery; and he had to shrug his shoulders, for his character was not patient enough nor his will firm enough, nor his body strong enough to support the terrible trials of a novitiate. Moreover, the prospect of having no cell to himself, of sleeping dressed higgledy-piggledy in a dormitory, alarmed him.

But what then? And sadly, he took stock of himself.

“Ah!” he thought, ” I have lived twenty years in ten days in that convent, and I leave it, my brain relaxed, my heart in rags; I am done for, forever. Paris and Notre Dame de l’ Atre have rejected me each in their turn like a waif, and here I am condemned to live apart, for I am still too much a man of letters to become a monk, and yet I am already too much a monk to remain among men of letters.”

He leapt up and was silent, dazzled by jets of electric light which flooded him as the train stopped.

He had returned to Paris.

“If they” he said, thinking of those writers whom it would no doubt be difficult not to see again, “if they knew how inferior they are to the lowest of the lay brothers! if they could imagine how the divine intoxication of a Trappist swine-herd interests me more than all their conversations and all their books! Ah! Lord, that I might live, live in the shadow of the prayers of humble Brother Simeon!” –J.K. Huysmans ‘En Route’

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Leprous observing

and recalled one evening, when he had wandered under a fine rain along the quays. He had been driven from home by ignoble visions, and at the same time had been harassed by the increasing disgust of his vices. He had ended by being brought up against his will at St. Gervais.

In the chapel of the Virgin, some poor women were prostrate. He had knelt, tired and dazed, his soul so ill at ease, that he slumbered without power to wake himself. Some men and boys of the choir were installed in the chapel, with two or three priests; they had lighted candles, and the voice, light and sustained, of a child, had in the dark of the church chanted the long antiphons of the “Rorate.”

In the state of overwhelming sadness in which he was stagnant, Durtal felt himself open and bleeding to the bottom of his soul; then a voice older and less trembling, which understood the words it said, narrated ingenuously, almost without confusion, to the Just One, “Peccavimus et facti sumus tanquam immundus nos”

And Durtal took up these words, and spelt them over in terror, thinking, “Ah! yes, we have sinned and become like the leprous, O Lord!” And the chant continued, and in His turn, the Most High borrowed that same innocent organ of childhood, to declare to man His pity, and to confirm to him the pardon assured by the coming of the Son. And the evening had ended by the Benediction in plain chant, in the midst of the silence and prostration of unhappy women.

Durtal remembered how he left the church refreshed, freed from his hauntings, and he had gone away in the drizzling rain, surprised that the way was so short, humming the “Rorate,” of which the air had taken possession of him, ending by seeing in it the personal touch of a kindly unknown.  –J.K. Huysmans ‘En Route’

Drop down, ye heavens, from above,
and let the skies pour down righteousness
Be not wroth very sore, O Lord,
neither remember iniquity for ever:
thy holy city is a wilderness,
Sion is a wilderness, Jerusalem a desolation:
our holy and our beautiful house,
where our fathers praised thee.
We have sinned, and are as an unclean thing,
and we all do fade as a leaf:
and our iniquities, like the wind, have taken us away:
thou hast hid thy face from us:
and hast consumed us, because of our iniquities.
Behold, O Lord, the affliction of thy people,
and send forth him whom thou wilt send;
send forth the Lamb, the ruler of the earth,
from Petra of the desert to the mount of the daughter of Sion:
that he may take away the yoke of our captivity.
Ye are my witnesses, saith the Lord,
and my servant whom I have chosen;
that ye may know me and believe me:
I, even I, am the Lord, and beside me there is no Saviour:
and there is none that can deliver out of my hand.
Comfort ye, comfort ye my people;
my salvation shall not tarry:
why wilt thou waste away in sadness?
why hath sorrow seized thee?
Fear not, for I will save thee:
For I am the Lord thy God,
the Holy One of Israel, thy Redeemer.

 

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As it was in the beginning, it is now, and ever shall be…

All of us are glad to see that you are immersed in ‘The Benedictine Monk’. Such a book, written by a monk, could render great service, if it were to be well launched and could reach the public…

The Benedictine Monk will be timely, against the diabolical hatred that is coming to the surface at the moment. It could be a defiance of the magnificent monastic life, make it understood at last, at a time when Freemasonry is seeking to give the Church a blow on the head by persecuting the religious orders. There are going to be some hard times to get through, for certain. I personally know something about it since ‘En Route’, which marked me out as an enemy in the office. Still, we must hope that the storm will pass, and will not succeed in uprooting any order. But what an age we live in all the same!

I am still immersed in my work, which at least permits me to live in another period, and to abstract myself a little from the chaos that surrounds me. Unfortunately, the citadels of the spirit are fragile, and the enemy destroys them without great difficulty; and the whole of modern life floods in through the breach. That is when one really envies monastic life, the possibility of being recollected, taking on a long-term work in peace. In Paris it is impossible, there are distractions even in the churches. How far removed it all is from the closed and cloistered chapels!

Letter from J.K.Huysmans January 1896 to Dom Besse from the book: ‘The Road From Decadence From Brothel to Cloister Selected Letters of J.K. Huysmans’.

YOUR SONG
Poem by Joseph Mary Plunkett

If I have you then I have everything
In One, and that One nothing of them all
Nor all compounded, and within the wall
Beneath the tower I wait to hear you sing:
Love breathing low above the breast of Spring,
Pressing her heart with baby heart and small
From baby lips love-syllables lets fall
And strokes with gentle hand her quivering wing.

You come rejoicing all the wilderness,
Filling with praise the land to joy unknown,
Fresh from that garden whose perfumes have blown
Down through the valley of the cypresses—
O heart, you know not your own loveliness,
Nor these your songs, for they are yours alone.

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Communion; aftertaste

The moment of Communion was at hand. The little boy had gently thrown the white napkin back on the table; the nuns and poor women and peasants went forward, all with clasped hands and bowed heads, and the child took a taper and passed in front of the priest, his eyes almost shut for fear of seeing the Host.

There was in this little creature such a glow of love and reverence that Durtal gazed with admiration and trembled with awe. Without in the least knowing why, in the midst of the darkness that fell on his soul, of the impotent and wavering feeling that thrilled it without there being any word to describe them, he felt a tide bearing him to the Saviour, and then a recoil.

The comparison was inevitably forced upon him between that child’s soul and his own. “Why, it is he, not I, who should take the Sacrament!” cried he to himself; and he crouched there inert, his hands folded, not knowing how to decide, in a frame at once beseeching and terrified, when he felt himself gently drawn to the table and received the Sacrament. And meanwhile he was trying to collect himself, and to pray, and at the same time, at the same instant, was in the discomfort of the shuddering fears that surge up within us, and that find expression physically in a craving for air, and in that peculiar condition when the head feels as if it were empty, as if the brain had ceased to act, and all vitality was driven back on the heart, which swells to choking; when it seems, in the spiritual sense, that as energy returns so far as to allow of self-command once more, of introspection, we peer down in appalling silence into a black void.

He painfully rose and returned to his place, not without stumbling. Never, not even at Chartres, had he been able to hinder the torpor that overpowered him at the moment of receiving the Sacrament. His powers were benumbed, his faculties arrested.

In Paris, at the core of his soul, which seemed rolled up in itself like a chrysalis, there had always been a sort of restraint, an awkwardness in waiting, and in approaching Christ, and then an apathy which nothing could shake off. And this state was prolonged in a sort of cold, enveloping mist, or rather in a vacuum all round the soul, deserted and swooning on its couch.

At Chartres this state of collapse was still present, but some indulgent tenderness presently enwrapped and warmed the spirit. The soul as it recovered was no longer alone; it was encouraged and perceptibly helped by the Virgin, who revived it. And this impression, peculiar to this crypt, permeated the body too; it was no longer a feeling of suffocation for lack of air; on the contrary, it was the oppression of inflation, of over-fulness, which would be mitigated by degrees, allowing of easy breathing at last. –J.K.Huysmans ‘The Cathedral’

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Timelessness, Endlessness and the Applicability of Mass

And as he spoke the despairing words, “My God, my God, wherefore is my spirit heavy, and why dost Thou afflict me?” the priest was indeed the image of Jesus suffering on the hill of Calvary; but the man remained in the celebrant—the man, conscious of himself, and himself experiencing, in behoof of his personal sins and his own shortcomings…

Meanwhile his little acolyte had words of comfort, bid him hope; and after repeating the Confiteor in the face of the congregation, who on their part purified their souls by the same ablution of confession, the priest with revived assurance went up the altar steps and began the Mass.

Positively, in this atmosphere of prayers crushed in by the heavy roof, Durtal, in the midst of kneeling Sisters and women, was struck with a sense as of some early Christian rite buried in the catacombs. Here were the same ecstatic tenderness, the same faith; and it was possible even to imagine some apprehension of surprise, and some eagerness to profess the faith in the face of danger. And thus, as in a vague image, this sacred cellar held the dim picture of the neophytes assembled so long since in the underground caverns of Rome.

The service proceeded before Durtal’s eyes, and he was amazed to watch the boy, who, with half closed eyes and the reserve of timid emotion, kissed the flagons of wine and of water before presenting them to the priest.

Durtal would look no more; he tried to concentrate his mind while the priest was wiping his hands, for the only prayers he could honestly offer up to God were verses and texts repeated in an undertone.

This only had he in his favor, but this he had: that he passionately loved mysticism and the liturgy, plain-song and cathedrals. Without falsehood or self-delusion, he could in all truth exclaim, “Lord, I have loved the habitation of Thy house, and the place where Thine honor dwelleth.” This was all he had to offer to the Father in expiation of his contumely and refractoriness, his errors and his falls.

“Oh!” thought he, “how could I dare to pour out the ready-made collects of which the prayer-books are full, how say to God, while addressing Him as ‘Lovely Jesus,’ that He is the beloved of my heart, that I solemnly vow never to love anything but Him, that I would die rather than ever displease Him?

“Love none but Him!—lf I were a monk and alone, possibly; but living in the world!—And then who but the Saints would prefer death to the smallest sin? Why then humbug Him these feints and grimaces?

“No,” said Durtal, “apart from the personal outpourings, the secret intimacy in which we are bold to tell Him everything that comes into our head, the prayers of the liturgy alone can be uttered with impunity by any man, for it is the peculiarity of these inspirations that they adapt themselves in all ages to every state of the mind and every phase of life…. –J.K. Huysmans ‘The Cathedral’

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Interior Chambers

And facing these chambers of the soul, dim with mist, he was struck by a strange association of the Revelations of Saint Theresa and a tale by Edgar Poe.

Those chambers of the inner man were empty and cold, and like the halls of the House of Usher, surrounded by a moat whence the fog rose, forcing its way in at last and cracking the worn shell of wall. Alone and uneasy, he prowled about the ruined cells, with closed doors that refused ever to open again; thus his walks about his own mind were very limited, and the panorama he could see was strangely narrowed, shrunk close and near to him, almost nothing. And he knew full well that the ruins surrounding the central cell, the Master’s Room, were bolted and fastened with rivets that could not be unscrewed, and triple bars—inaccessible. So he restricted himself to wandering in the halls and passages.

At Notre Dame de l’Atre he had ventured further; he had gone into the enclosure round about the abode of Christ; he had seen in the distance the frontiers of Mysticism, and, too weak to go on his road, he had fallen; and now this was to be lamented, for, as Saint Theresa truly remarks, “in the spiritual life, if we do not go forward, we go back.” He had, in fact, retraced his steps, and lay half paralyzed, no longer even in the vestibule of his mansion, but in the outer court.

Till this time the phenomena described by the matchless Abbess (St Teresa of Avila] had been exactly repeated. In Durtal, the Chambers of the Soul were deserted as after a long mourning; but in the rooms that had remained open, phantoms of sins confessed, of buried evil-doing, wandered like the sister of the tormented Usher.

Durtal, like Edgar Poe’s unhappy sufferer, listened with horror to the rustle of steps on the stairs, the piteous weeping behind the doors.

And yet these ghosts of departed crimes were no more than indefinite shapes; they never consolidated nor took a definite form. The most persistent miscreant of them all, which had tormented him so long, the sin of the flesh, at last was silenced, and left him in peace. La Trappe had rooted up the stock of those debaucheries. The memory of them, indeed, haunted him still, on his most distressing, most ignoble side; but he could see them pass, his heart in his mouth, wondering that he could so long have been the dupe of such foul delusions, no longer understanding the power of those mirages, the illusions of those carnal oasis as he met them in the desert of a life shut up in seclusion, in solitude, and in books.

His imagination could still put him on the rack; still, without merit, without a struggle, by the help of divine grace, he had escaped a fall ever since his return from the monastery. –J.K. Huysmans ‘The Cathedral’ 

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Warriors for Our Lady

Durtal left the corner of the transept where he had been sitting with his back to a pillar, and turned to the left, towards a bay where there was a framework ablaze with lighted tapers before the statue of the Virgin.

And schools of little girls under the guidance of Sisters, troops of peasant women and countrymen, poured out of every aisle, knelt in front of the image, and then came up to kiss the pedestal.

The appearance of these folks suggested to Durtal that their prayers were not like those that are sobbed out at evening twilight, the supplications of women worn and dismayed by the weary hours of day. These peasant souls prayed less as complaining than as loving; these people, kneeling on the flags, had come for Her sake rather than for their own. There was here and now a pause from grieving, a sort of reprieve from tears; and this attitude was in harmony with the special aspect adopted by Mary in this cathedral; She was seen there, in fact, under the form of a child and of a young mother; She was the Virgin of the Nativity, rather than our Lady of Dolour. The old artists of the Middle Ages seemed to have feared to sadden Her by reminding Her of memories too painful, to have striven to prove by this delicate reserve, their gratitude to Her who in this sanctuary had ever shown Herself to be the Dispenser of Mercies, the Lady Bountiful of Grace.urtal felt in himself an answering thrill, the echo of the prayers chanted all round him by these loving souls; and he let himself melt away in the soothing sweetness of the hymns, asking for nothing, silencing his ungratified desires, smothering his secret repining, thinking only of bidding an affectionate good-morning to the Mother to whom he had returned after such distant wanderings in the land of sin, after such a long absence.

And now that he had seen Her, that he had spoken to Her, he withdrew, making room for others who came in greater numbers as the day grew. He went home to get some food; and as he cast a last sweeping glance at the beautiful church, remembering the warlike imagery of its details…. –J.K. Huysmans ‘The Cathedral’

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