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Perpetual advancement of humility, allowing proper mortification and prayer, thus a deepening and expanding of the virtues
When one fails to advance in perfection because one fails to advance in humility, it is easy to grow discouraged and backslide. Lost is the spirit of perseverance. Replacing it is the delusion that doubling up on spiritual exercises will increase satisfaction. Instead one only feels more aridity. Motivated by self-seeking rather than by self-denial, one misses the mark of real advancement, stubbornly refusing to take counsel and reasonable instruction from one wiser than he or she. It is hard to admit that what seems so right has proven to be so wrong. Moral deeds have been done, but for the motive of increasing joy in oneself, not submission to God. Hardly anyone escapes this danger. Before long this “outstanding citizen,” this “pillar of the church,” this “mirror of virtue” grows slack in love of God and charity to others and may even fall into corruption he or she so publicly abhorred.
—Susan Muto ‘John of the Cross for Today: The Ascent”. The originator of the wonderful term ‘wasting time gracefully’
There are certain spirits I am immediately and intensely attracted to. Susan Muto is one. I find her to be a beautiful woman, immensely wise in the subtly of profound spiritual growth. I enjoy contemplating her physical beauty as a woman. I heard it said that though St John of the Cross is a name tossed about by many, few truly comprehend the depth and ascension of his thought. The previous statement basing the idea of comprehension upon a demanding utilitarian aspect. Vital comprehension of St John of the Cross involves application rather than knowing. From a distance, I rest assured Dr Susan Muto is a soul attuned to St John of the Cross.
St Clare
‘…lead us not into temptation, but deliver us from evil…’
Then Jesus was led up by the Spirit into the wilderness to be tempted by the devil. And he fasted forty days and forty nights, and afterward he was hungry. –Matthew
The Spirit immediately drove him out into the wilderness. –Mark
And Jesus, full of the Holy Spirit, returned from the Jordan, and was led by the Spirit for forty days in the wilderness, tempted by the devil. And he ate nothing in those days; and when they were ended, he was hungry. –Luke
Pelican: The Pelican is a symbol of the atonement and the Redeemer and is often found in Christian murals, frescos, paintings and stained glass. The pelican was believed to wound itself in order to feed its young with its own blood. In the hymn “Adoro Te,” St. Thomas Aquinas addresses the Savior with, “Pelican of Mercy, cleanse me in Thy Precious Blood.” Allusion is even made to this belief in “Hamlet” (act iv): “To his good friend thus wide I’ll ope my arms And, like the kind, life-rendering pelican, Repast them with my blood.”
Waste time gracefully
…We must be discreet and humble. Our greatest ambitions must be to see the crucified Christ always before us. His life and death, what efforts He demands of us.
Seek nothing beyond this. It will please the Divine Master. His real friends ask only for those things that will enable them to fulfill His commissions. Any other desire, any other quest, is but self-love, spiritual pride, an encirclement of the devil.
Such a disciplined conduct is well fortified against the assaults of the devil. When the skilled opponent sees the fervor of persons beginning spiritual exercises and the fixed resolution of their wills, he insinuates his subtleties into their understanding. A break-through here permits him to push his way into the will. He is then master of both these faculties.
As a feint, he inflates their imagination in moments of prayer, suggesting elevated sentiments. He works particularity on those who are curious and discerning by nature, who are subject to self-conceit and are fond of their own schemes. His aim, of course, is to amuse them with idle dreams and the sensible pleasure they afford so that, drugged with a false sense of appreciation of God, they may forget to cleanse their hearts, to examine themselves, and to practice mortification. In this way they become inflated with pride, and they idolize their own understanding.
–Dom Lorenzo Scupoli ‘The Spiritual Combat’
Passivity
Does He aim at detaching a soul from earthly things and uniting her strongly to Himself? He will deluge her with light and love. Plunged in God, of whose presence and action she is delightfully conscious, inflamed with the holy ardors of unitive love, fascinated by the divine beauty and goodness and by the tenderness of a Lord so great and holy for His miserable creature, she becomes instantly silent and contemplates Him in a hush of admiration. She envelopes her Well-Beloved with a long, lingering look wherein jostle each other the emotions of astonishment, joy, and love, which hold her captive. She enjoys her God in a union full of peace and sweetness, like St John reposing on the bosom of His beloved Master. –Abbot Vital Lehodey
I like the use of the female pronoun in the above quote. Embracing manliness, masculinity to a brutish nature, the passivity necessary for the proper reception of God calls for a female receptivity, a complete penetrating of self. In the world, I am a strong man. Before God, I find it more appropriate to think of myself as a weak impoverished bride–a King marrying a wretched peasant child.
A squire witnessing the baptizing of St Francis
Attempting a pompous portrayal of being in the power of the spirit, Pietro guided Ricco, the squire of Man Tower, to the cathedral of Saint Rufino. The destination surprised him, a place of worship possessing memories of enigmatic childish grandeur. In all of his years living in Assisi as a street orphan, he never entered the cathedral. His social status prevented such bravado. He dared not to be so bold. To enter would be a direct insult. Standing upon the steps, wonder enveloped.
Talk of the streets informed him the bell tower remained from the original church. Under construction for fifty years, the present church emerged as a magnificent structure. Romanesque at its base, the upper portion presented the most modern of architecture. Trinity in nature, the circular windows amazed Ricco. He could not determine if the windows made him imagine more: great eyes or wondrous flowers. In the name of our Lord Jesus Christ, he studied, contemplated, the façade of the church often as a waif. The immensity of the structure infused smallness, the individuality of being overshadowed, poverty revealing dwarfing inadequacies, while underneath a longing prevailing, a heartbeat amidst admiring. He could never determine a lasting impression, whether the structure was a work of God or solely the efforts of men.
Pillars of an impressively imposing embossed arch separated the three windows, as well as the separate doors situated amongst the Roman grid pattern of stonework below. The central grand window spawned curiosity as the three figures standing upon strange animals perched upon Roman arches, supporting the mystical rose-window, remained mysterious, mythical in nature, ancient legends bellowing. Ricco imagined them to be angels, however the lack of wings and something sinister defining created suspicion. Possibly, for unknown reasons, they were ancient Roman demons—in allegiance with the monstrous animal forms decorating the exterior north and south walls? Nothing definite, lacking knowledge, mysteries dominating, Ricco recalled spending lengthy moment studying the Cathedral. Often he slept near, hidden in alcoves, feeling protected by the close proximity of holiness.
Above the north and south doors, water drinking leopards and peacocks multiplied ambiguities. Lions, guarding the entrance—one devouring a man, the other a ram, intimidated. Under close scrutiny, sweating under a scorching sun as a boy, he studied the four mounted figures cornering the dominant window. It seemed important to figure out what the figures represented. He determined there was a wolf and lamb underneath, while above a crow and a man stood, holding a book open. He followed respected superstition by avoiding talk of the cryptic figures decorating the cathedral, fearing their power if he was to give them life through spoken words. He knew there were men of great learning, yet never would he be one. Ricco’s instinctual fear of the cathedral coincided with his apprehension regarding God. Like snow covered mountain tops, terror ruled his imagination. The vast dimension of the building surpassed everything he knew as a child; the wealth and means necessary to build such a colossus structure inconceivable. The cathedral only deepened the mystery of life. His feeling of smallness, inconsequentiality, expanded.
Pietro led Ricco inside, sensing the youth’s nervousness, realizing how lost the youth was inside the finely decorated cathedral. He guided Ricco after crossing himself with holy water. The ambience of splendor blinded the squire of Man Tower. He could not establish details. Amidst the sacred artistic sophistication, he felt the diminutive nature of his birth. The existence of the cathedral finery exposed him for what he was. He did not belong in the cathedral. It was for men of better birth. The thought of running away, escaping back to the streets, regressing to the familiar, raced through his mind.
“Relax my young friend. I have brought you to the baptism of my son Giovanni. I want you to see how righteous people of God live. We are the people destined to rule Assisi. It is God’s will. Untruths cannot enter here for this is the home of the Eucharist. Demons hold no sway here. If a possessed woman were to enter, you would hear the words: I command you to come out of her. Find yourself a place in the back and witness, make sure you can see clearly. I want you to observe, to witness, to feel in your heart, and then report to your knight everything you see. Your knight is a stubborn man. I think you are more congenial, better able to compassionately perceive truth. Maybe Man Tower has seen too much war—his heart becoming too hardened. He knows not the way of softness and families. You, in the role of a son, can help replace his heart with a natural heart, a soft heart dedicated to assisting the commune in its virtuous endeavors. Both of you are welcome to fight for goodness.”
Pietro parted from Ricco, joining the others, showing attention to his baby son. Pietro immediately took control of matters. Uncomfortable, Ricco made his way amongst the gathered, making his way to the back, closest to the door. Still, he would not lift his eyes to closely examine the cathedral. He did not notice the tall figure of his master lurking within the shadows. Man Tower prowled, following the intrigue involving his squire. Unaware, Ricco focused his eyes downward.
“Go out from him, thou unclean spirit, and make way for the Holy Spirit, the Paraclete. By my hand Francesco is baptized in the name of the Father and of the Son and of the Holy Spirit. This sign do thou, accursed devil, never dare to violate.”
The priest having pronounced the words, submerged Pietro’s son in the baptismal font. The carved stone font majestically presented Satan supporting. The basin holding the baptismal water seemingly crashing from above, crushing Satan beneath it. Fiercely, Satan struggled to throw off the devastating weight, the mammoth burden. Proudly, exuding joy for all to see, Pietro stood next to his wife, a beautiful French woman. Another couple, godparents, received the baby from the priest.
Ricco found himself staring at the baby, tunnel vision occurring as he could see nothing but the peaceful face, suckling in its sleep upon nothing. A smile blossomed. His apprehension disappeared, his countenance dissolving. The infant opened his eyes as the priest held him up naked before all the witnessing, a nontraditional act of no explanation. Captivated, the smile would not leave Ricco’s face. He wanted to make his way to the infant, to hold him, to possess the child in his arms and see that face up close. The baby, crying as he was placed in his mother’s arms, looked about. His face turned toward Ricco. A beam of light shot through a window, shining downward, striking the child, reflecting off his body, it went out, into those witnessing. Ricco knew not where the light came from. None of the others noticed. The light stabbed Ricco in the eye, forcing him to erupt with laughter. Others looked at him, marveling the young man would be so moved by a baptism, the opening of the gates of heaven to a newborn. Ricco got up immediately, making for the exit. An indelible mark made upon his memory. The baptized infant cried out after him.
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